Description
- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter
- Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
- Two-position contour switch to maximize attack and clarity depending on application – select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
- Requires no external mounting
- Combination of Beta 91 and SM 91
- Switchable frequency range for bass drums or piano/ voice applications
- Polar pattern: half cardioid
- Frequency range: 20 – 20,000 Hz
- Impedance: 146 Ω
- 11-52 V Phantom power
- SPL: 155 dB SPL max (@ 2500 Ohm)
- Sensitivity: -48.5 dBV/Pa
- Output: XLR-male
- Weight: 470 g
What is the difference between the Beta 91A and the Beta 91?
The Beta 91A features a new and updated microphone capsule. The new capsule will result in a more natural high frequency response than the Beta 91.
